Music has a peculiar power in its ability to evoke memories. Once, my Ukrainian grandmother wept when she heard the Decemberists’ “The Mariner’s Revenge Song” — its jaunty accordion reminded her of the polkas she used to dance to. Even though it’s been the project of most to write the band off for these hokey genre experiments, on their live double-album, We All Raise Our Voices to the Air, this kitschy song is the last of the regular set, representing all of the goofy influences of the band’s ten-year back catalogue. For all the photographs of different moments of their career, the album showcases songwriter Colin Meloy’s ability to craft a catchy melody throughout. The Decemberists dive deep, playing songs from each stage of their career, including their first EP, making even Pitchfork’s reviewer nostalgic. Though the band may no longer be in fashion and their quirky indie rock tunes are a thing of the past, the Decemeberists seem confident in their new direction as they experiment and grow in sound.
