“The theory was, we make Casino Royale as if there had never been a James Bond movie made in the past,” said co-producer Michael G. Wilson, describing the creative process behind what’s quickly become a new generation of Bond films.When Wilson visited Toronto to promote the latest Bond venture, Quantum of Solace, he brought to the roundtable interview director Marc Forster, new Bond girl Olga Kurylenko, and 007 himself, the steely-eyed Daniel Craig. Over a series of interviews at the Hazelton Hotel, the group discussed how they set out to dramatically change the Bond franchise.While most fans have welcomed the bloody realist aspects of the new films, some mourn the loss of the larger-than-life technical elements that were Bond’s trademark for generations. “Hopefully through this process we’ll create the new icons rather than trying to just re-adapt the old icons,” said Wilson.If, as Wilson implied, Casino Royale was the death of the old franchise, Quantum of Solace might very well be the funeral, paying respects to old spectacle while charting new terrain.Marc Forster—whose previous work on Monster’s Ball and Finding Neverland made him a surprising choice for a Bond director—has introduced an unprecedented “art film” agenda into the new series. He also pays homage to past installments with retro visual cues, including one nostalgic set piece that will send audiences all the way back to Goldfinger.“I felt it was an interesting era for Bond,” remarked Forster on the earlier installments, “so I wanted to bring that back into it and sort of juxtapose it to the modern look of MI6.”Forster’s acknowledgment of the Bond tradition certainly doesn’t hinder him from taking bold artistic steps in Quantum. He gives the action sequences an elemental theme, played out over land, water, air, and blazing fire. Using abstract techniques for a gunfight that takes place during the opera Tosca, itself containing parallels to Bond, a massive blue eye onstage resembles 007’s ever-watchful peepers. That’s a lot to chew on for an action flick.Another refreshing element is Bond girl Olga Kurylenko, who delights in the fact that her character Camille is the first in the series who doesn’t sleep with 007. “She’s different,” said Kurylenko. “She’s like Bond in a female body. She’s almost equal to him. What’s nice is that in this film, she has her own story. She exists without Bond—she has her own mission. Other girls, somehow existed [through] Bond only.”While everyone celebrates the updated series, the film’s star is doing as much as he can to maintain the tradition.“I haven’t done anything to modernize the character,” said Craig, speaking to his Bond’s harder edge. “If anything, I’m trying to cling onto the past.”“There’s something archaic about him. I want him to remain misogynistic to a certain extent because I like the debate between him and M, because M is the balance there. He’s the one that’s sort of behaving badly as a man, and she’s the one that’s slapping him down.”Craig had his arm in a sling, due to an old injury that hasn’t quite healed over the course of two Bond movies. But it doesn’t prohibit him from bouncing with enthusiasm while describing his onscreen persona.“He likes fast cars, beautiful women, champagne. He likes all the things that James Bond has always liked. I tried to come at it from a new angle, to refresh it as opposed to trying to re-invent it.”Another change that Quantum introduces is a direct engagement with current sociopolitical issues, concerning dwindling resources and the evil powers trying to control them. Craig insisted that such developments were plot choices that “just happened to get more and more relevant as the hours tick by.”“Bonds have always been naturally apolitical,” the actor reminded us. “I’ve always maintained that it’s a Bond movie. We can’t go down the political road. We mustn’t because it’s not our job to do that. But ultimately, to comment on it and make it as pressing as possible is also very important because it’s a modern movie.”Craig would rather see elements of the old series returned to the new films, particularly recurring characters like Q and Moneypenny. However, he recognizes that these additions can’t simply be thrust into the creative process.“I don’t think you could offer a good actor a part and say, ‘The part’s Q, remember how it was played? That’s exactly what I want.’ I think that’s kind of offensive to give to an actor. I would love it to be properly written it and give it to an actor, saying, ‘What are you going to make of that? Invent something.’”While Craig advocates for Bond’s old tricks to be retained, he won’t compromise the integrity of the story being told. In the new film, Bond doesn’t go topless (to the dismay of women everywhere), doesn’t bed the Bond girl, and doesn’t even utter such famous catchphrases as “Shaken, not stirred” and “Bond, James Bond.”“It didn’t fit,” explained Craig. “Putting it in because it should be there just doesn’t make sense to me. It jarred in the final cut. It was something that didn’t fit in with the movie.”But such an absence won’t be disorienting. There are still the exotic locales, beautiful women, luxury cars, countless martinis and the iconic music. As Craig assured, “You’re never in any doubt that you’re watching a James Bond movie.”Quantum of Solace opens November 14.
Toronto students march to Queen’s Park to protest tuition fees
Thousands of students from schools across Ontario marched to Queen’s Park yesterday, Nov. 5, to demand lower tuition fees.The annual, province-wide Day of Action was arranged by the Canadian Federation of Students-Ontario as part of their Drop Fees campaign. The U of T Students Union and Graduate Students’ Union are members of CFS.On Tuesday, Dave Scrivener, VP external of UTSU, was busy handing out fliers in Sid Smith, where UTSU members had been working an information table all week.“I think it’s pretty likely [that fees will drop] if students put pressure on the government,” Scrivener told a skeptic undergrad. He described student response to the campaign as “overwhelmingly positive.”Wednesday’s protesters were on board, yelling slogans from a flatbed truck outside Con Hall. A large group from York was the last to join students from St. George, UTM, UTSC, Ryerson, George Brown College, OCAD, and Trent University.“I think that education is a social good, so society should take care of it through the state,” said Ricardo Habalcan, a fourth-year economics student at U of T.According to CFS, Ontario’s per-student funding is 25 per cent below the national average. Between 2002 and 2008, annual tuition for a U of T Arts & Science student rose from $4,107 to $4,776. The increase was more dramatic for international students and those in professional faculties, such as law or engineering.In 2004, Ontario Premier Dalton McGuinty honoured an election promise to freeze tuition fees. Two years later, he replaced the freeze with his Reaching Higher framework, which allowed tuition to rise but also increased the amount of loans and grants given to students. This framework is in its fourth of five years, a fact CFS has highlighted as the provincial government decides what to do next.According to Greg Flood, spokesperson for the Ministry of Training, Colleges and Universities, the government has no plans for change and “continues to move forward with the implementation of the framework at this time.” For proof that Reaching Higher is getting positive results, Flood cited an increase of 100,000 post-secondary students in Ontario, 120,000 new student grants, and student loan default rates that are the lowest in Ontario’s history.NDP leader Jack Layton took a different stance.“With the kind of student fees and student debt that are facing students now, it’s a huge obstacle to achieving the potential we have as a country,” Layton told The Varsity just before boarding the rally truck. “So this action by CFS is vitally important for drawing attention to the barriers and obstacles.”Obstacles like Shannon MacInnes is facing. “I am currently $32,000 in debt and I’m not even finished my second year,” the history and visual arts student said.For many students, amnesty from skipping classes wasn’t enough incentive to go to the rally. “We don’t have amnesty from tests that in the future will cover this material,” said Richard Cerezo, a third-year math major.“I feel as an international student, a lot of these rallies and things don’t apply to me because my fees go up all the time anyway,” linguistics student Dylan Uscher chimed in.For those who came, the message was clear. In the words of Andrew Thomas, a fourth-year environmental science major, “It’s important to get students together and show the government that we’re serious, and that we need tuitions dropped.”
For your eyes only: Q & A with Daniel Craig
The James Bond star visited Toronto in mid-October to promote his latest globetrotting adventure, Quantum of Solace. Here’s what he had to say.The Varsity: Many actors appreciate working on a series because of the long character arc. Was that part of the appeal of playing Bond?Daniel Craig: I didn’t look towards the long term. I only looked to the movie we were doing. The idea of taking the character on and doing a sequel only came about because we seemed to have unfinished business from Casino Royale. He’d fallen in love, had his heart broken, and had been betrayed, which was the message that we were trying to get across in Casino Royale. This betrayal had thrown him, because the man never loses at cards, never loses at love, never loses anything. He’s James Bond. And to just paper over in the next movie by going off and saying, “Oh yeah there was that girl once,” seemed to be the wrong thing to do. It’s James Bond—it isn’t Henrik Ibsen. You can’t apply the same rules. I’m enjoying taking it on and giving it some continuity.TV: After the success of Casino Royale, is there less pressure, or more pressure with the follow up?DC: It’s a bit of both. Put it this way, I’d rather be in this situation than the other—if we’d had a dud last time. I’m incredibly proud of what happened with Casino Royale for all sorts of reasons. It’s taken on a life of its own. We all sort of sat around saying, “Well that’s great we got one success, but what do we do now?” These are high-class problems.TV: With all of the acclaim and attention, does it ever get tiresome to constantly dissect a role with reporters?DC: It’s my responsibility to do that. I can’t present something like this on such a large scale and then go, “I don’t want to talk about it.” It would be childish and disrespectful to the people who are lovers of the franchise. And those people are my bread and butter now, so I have to be very respectful of that. Hopefully the work I put into it generates discussion.TV: Was it easier to perform Bond’s stunts now that you’ve had some practice, or was it more challenging given the new film’s large scale?DC: The challenge really rose this time, and I was grateful that it did. The trouble is that I volunteered last time, and unfortunately, they seemed to think that I could do it [again]. I just feel like I owe it to the part to get involved.TV: Why do you think the Bond franchise has maintained its appeal?DC: The honest answer has got to be that it’s not a particularly original character. The characters have existed forever. It’s a lone hero who’s trying to figure out the truth, and figure out what’s right and wrong. That goes as far back as probably anybody can remember. Something happened in the 1960s. Sean Connery and [original Bond producer Albert R.] Broccoli were responsible for setting a tone of movie making. If you look back at the early movies like Dr. No, From Russia with Love, and Goldfinger, when James Bond travelled, they [filmed] on location. They took the movie with them so that when you watched these movies, you were transported. Back then it was hellish to fly anywhere. I can’t imagine what it was like trying to get a crew [together]. It’s bad enough now. We struggle to do it now. And that tradition has [been] consistent throughout.
Frosh charged with Mac arson
A first-year McMaster student has been charged by Hamilton police in connection with the Oct. 18 fire at Brandon Hall. The residence had to be evacuated in the early morning after smoke and fire alarms roused almost 600 sleepy students.Emerson Pardoe, a 19-year-old resident of Brandon Hall, has been charged with arson endangering human life and arson endangering property. Four students were taken to the hospital to receive treatment for smoke inhalation.“The fire was made much more shocking because it was deliberately set, and because a McMaster student has been charged in connection with the case,” Phil Wood, associate vice-president of Student Affairs and dean of students at the university told the McMaster Daily News.Pardoe was taken into police custody on Monday. Looking distraught during the court proceedings, he was released into the custody of his parents for $50,000. He has been prohibited from any contact with McMaster staff or students and must remain with his parents in Scarborough.Currently, McMaster is housing Brandon Hall students in various hotels while repairs are carried out. Students will be able to move back in January at the earliest.
The Giller Prize
The winner of the Giller Prize, Canada’s most prestigious award for fiction, will be announced on November 11 to little fanfare outside the literary community. Nevertheless, all the glitz and glamour of the prize’s star-studded gala (Margaret Atwood and Bob Rae are two of the judges) will go on, even if it hovers well below the mainstream radar.The theme of this year’s shortlist is the idea that to be Canadian is to be from somewhere else. Multiculturalism is the pride of our country, and it’s heavily reflected in our fiction. What does this mean for storytelling? It allows heritage to propel the plot and shape the characters’ collective mentality. This is the experience of many Canadians and it’s important that we write about it.
Joseph Boyden’s most recent effort, Through Black Spruce, is a double helix of a novel that follows Cree bush pilot Will Bird and his niece Annie. It switches narratives between both characters, merging the plot lines during its crescendo. Annie’s journey begins in tiny Moosonee, Ontario, as a search for her model sister leads her into the dangers of urban life. Will speaks to his nieces from within a coma, recalling his multiple run-ins with a local drug lord. While Boyden’s narrative is interesting enough to hold the reader’s attention, it occasionally veers into the territory of a mid ’90s CBC miniseries. Boyden is one of Canada’s brightest new talents, and though the book is melodramatic, the quality of his prose makes up for some predictable plot choices.Speaking of melodrama, Anthony De Sa’s Barnacle Love is rife with it. A book of interconnected short stories follows the life of Manuel Rebelo, a Portuguese immigrant who has left his home in the Azores to become a fisherman in Newfoundland. Sexually abused by a priest and betrayed by his first love, Rebelo’s sad history eventually manifests itself as a severe drinking problem. De Sa’s novel is a Canadian version of the lost American Dream, demonstrating the consequences of one’s failure to live up to such high expectations.Cockroach, Rawi Hage’s new novel, screams at its reader from beginning to end. Coming off the massive success of his first novel De Niro’s Game, the winner of the IMPAC Dublin Literary Award, Hage hasn’t toned down his aggressive style. The unnamed protagonist is a contemporary version of Dostoevsky’s classic antihero, The Underground Man, complete with alienation, rage, irrationality, and dark humour. Wandering through Montréal, fighting off his kleptomania and a war-affected history, the Iranian meets an interesting cast of characters who, for the most part, enrage him. All Kafka insect references aside, the best parts of the novel are when he envisions himself as a cockroach. The metaphor is perfect, with imagery done so well that it’s difficult not to sympathize with the character’s insanity. While Hage should win, I doubt he will.Good to a Fault, the oxymoronic title of Marina Endicott’s new book, does not apply to the plot—it’s nearly flawless. Lives instantly change when a car accident throws Clara Purdy into the home of the Gage family. When their mother is diagnosed with lymphoma, Clara is forced into the role of matriarch. The novel is charming and funny, as Clara is forced to adjust, eventually welcoming the situation.Mary Swan’s The Boys in the Trees is a melancholic but fulfilling read. It follows a small town in Ontario rocked by a rather shocking crime committed by the patriarch of a newly arrived Canadian family. Set in the late 19th century, the story is told from multiple perspectives, including members of the family, neighbours, and even a gun. Characters are developed slowly as each narrator works through the crime. At times, the complex structure makes it difficult to determine which perspective is revealed, but the prose is outstanding—vivid and emotionally charged. Without question, The Boys in the Trees deserves the Giller Prize.
Universities feeling stock market lows
Losses to U of T’s stock holdings from the recent market collapse could affect student scholarships and bursaries, and cut into department budgets if the downturn continues. The Globe & Mail reports that U of T lost nearly nine per cent in the third quarter on investment and endowment funds, but the administration is optimistic that better times are ahead.U of T’s $5.5 billion in assets are managed by an independent subsidiary, the University of Toronto Asset Management Corporation. These assets include $2.8 billion in pension and $2 billion in endowment funds. According to VP business affairs Cathy Riggall, UTAM’s conservative policies helped avoid further losses seen by many other Canadian universities. The University of Victoria’s endowment also saw a nine per cent drop, with Waterloo already enacting a six-month hiring freeze.A statement issued by Riggall and interim vice president and provost Cheryl Misak in response to the economic downturn says, “We have defined a risk tolerance and a target return that are appropriate over the long term. Our strategy also assumes that there will be some years of losses.”Riggall said that student aid is not yet on the chopping block. “We’re not interested in cutting back on student aid unless we absolutely have no choice.” Riggall also emphasized that U of T has come through previous market downswings with endowments intact. In 2003, U of T lost more than $55 million on its investments.She said that the economic conditions would not deter donors. “Over the past 80 years, there’s never been a year when donations have actually declined. They have slowed down,” she said, citing a lull in donations throughout North American in 1987 as an example. That was the year of the ‘Black Monday’ on which stock markets around the world crashed.Thomas Felix, president of student group Investing in Integrity—which has been calling for reforms to the university’s investment policies—is cautiously optimistic about the current situation. “I think that by and large […] the market has shown that it’s slowly recovering.” Felix emphasized the importance of protecting student aid from the ravages of the market, but also thinks that UTAM’s actions are mostly in the clear. “If anything, what we’re facing is going to be across the board,” he said. “I don’t think we can pin this on U of T itself.”UTAM has come under fire from I in I for its investments with controversial corporations such as oil giant Exxon Mobile and military contractor Lockheed Martin, amounting to $9.5 and $1.2 million respectively.
Scientists capture unprecedented image
Three University of Toronto astronomers may have made history this past summer by simply taking a picture. Dr. David Lafrenière, Professor Ray Jayawardhana, and Professor Marten van Kerkwijk claim to have taken the first direct image of an extra-solar planet orbiting a sun-like star.After searching approximately 80 stars in the Upper Scorpius association using the Gemini North telescope, the team noticed the star 1RXS J160929.1-210524 seemed to have a planet orbiting it. Unlike anything in our solar system, the planet is eight times the mass of Jupiter, has an estimated temperature of 1500°C, and orbits 330 times further from its star than Earth does from the sun. Due to its distance from the star, a complete orbit takes around 6,000 years.A direct image of an orbit is extremely rare, as stars are so bright they outshine anything in their vicinity. It can take years to completely verify that an image is showing a planet-star companion. Using other methods, astronomers have tracked down more than 300 planets that suggest they might be orbiting a star. One method involves looking for light alterations made by a planet passing in front of a star. Another looks for Doppler shift, a back and forth movement in the star.The U of T astronomers’ surprising planetary find was made possible by the Gemini telescope’s high resolution adaptive optics capabilities. The sophisticated technology allowed the researchers to distinguish between the many things that orbit a star: namely other stars, brown dwarfs, and planets. Being able to differentiate between these objects became critical when the team first detected two stars with what seemed like objects orbiting them.Jayawardhana explains that the first star’s object turned out to be a background star that appeared to be a close companion, but was actually much further away. To make a distinction between planets and stars, the team took infra-red and near infra-red images through filters to determine the object’s “colour.” The redder the object, the cooler it is. “We targeted young stars so that any planetary mass object they hosted would not have had time to cool, and thus would still be relatively bright,” says van Kerkwijk. Special filters allow astronomers to determine the composition of the planet’s atmosphere, which is usually water vapor and carbon dioxide. This eventually showed the star’s companion to be a planet, not another star.While it may seem odd that a heat emitting ball of fire could possibly be a planet, Jayawardhana explains that temperatures of this magnitude are very low in stellar standards. It might be a hot planet, but is by no means even close to a cool star. The fact that it is hot and bright but remains at such a distance from its star means the planet is producing its own heat. In several hundred million years, the planet is expected to cool down and shrink to a size equal to Jupiter.
Spray or pay
If you were walking on College Street last week, you might have seen a business owner spray-painting his storefront a solid colour while his employees looked on. It’s a frequent scene on a street where businesses and private homes are regularly the targets of graffiti. This man was following the law—the City of Toronto says owners are required to remove graffiti from their property, and do it fast.The Graffiti Abatement Program and Graffiti Bylaw are only two of the city’s most recent measures, introduced with the goal of cleaning and beautifying Toronto’s urban landscape. The municipal government and Toronto Police have declared a zero-tolerance stance towards any public markings, drawings, or writings that aren’t art murals, especially hateful or gang-related messages. If graffiti appears on private property, owners must remove it within 72 hours, or the city will hire someone and send them the bill. While property owners are assured that city staff will “work closely” with them, often they are simply served notice, and left to paint over the graffiti at their own cost.“Toronto isn’t as clean as it used to be and the graffiti is just not pleasant,” said Jean-Pierre Centeno, owner of Gamelle restaurant on College, who has dealt with several cases of vandalism. Business owners in the College Street area are well aware of graffiti in the city. Their properties are regularly marked, most often with graffiti artists’ individual tags that reappear as soon as the day after they’ve been removed.“It just adds insult to injury,” said Cal O’Shaughnessy, a supervisor at Canada Computers who goes through a can of silver spray paint per month. “It is unfair to be punishing a business for being the victim of graffiti.”Though clearly unpopular, the bylaws aren’t unreasonable, argues City of Toronto official Fernando Aceto. A cleaner urban appearance creates a sense of care for the community and attracts tourists, improves living standards, and raises property values, he said.“A cleaner city helps the area and helps the business,” said Aceto, who maintains that the disadvantages of graffiti outweigh owners’ inconveniences.O’Shaughnessy counters that covering up graffiti isn’t enough, stating that the city should address the roots of the problem. Other businesses people in the area, like the owners of computer shop Perfect Solutions, said Toronto could provide the community with greater incentives to stop the graffiti, either by funding its removal, hiring the perpetrators for art work in the city, or banning the sale of spray paint to minors.