Reading Mike Knight’s review of Rock Steady, the latest album from No Doubt, left a rancid taste in my eyes.
Now that the burning in my irises has subsided, I am able to present a more informative analysis of this unique compilation.
First, it is unclear why Knight feels Gwen Stefani considers herself a “sistah.”
Collaborating with Eve on last year’s catchy duet, “Let Me Blow Ya Mind” or working with Sly & Robbie, Steely & Clevie and Bounty Killer on Rock Steady does not mean Stefani suffers from wannabe-ism.
Rather, it is simply a matter of exploring different styles. Furthermore, Knight should refer to the “I” section of his favourite Webster’s so that he may look up the word “innovation.”
Instead of criticizing No Doubt for “[forgetting] their roots,” the Orange County, California band should be lauded for courageously evaluating new musical currents while at the height of their popularity. On Rock Steady, No Doubt fuses distinctive Jamaican reggae with their own brand of trademark ska on three novel tracks, including the standout woodwind-laced “Underneath It All.”
Moreover, on “Waiting Room,” Stefani and the Artist Formerly Known as Prince exude a natural chemistry—seamlessly complementing each other’s vocals or joining in harmony amidst the mesmerizing backdrop of a constant, pulsing beat.
Finally, No Doubt’s real strength appears in the title track. Here, Stefani deftly mixes her alluring voice with the electronic sounds and standard instruments played by bandmates Tony Kanal, Tom Dumont and Adrian Young.
The result is a turtle-paced, surreal and hypnotic melody as Stefani rhapsodizes both hopelessly and hopefully about the complexities of love and relationships.
Altogether, No Doubt demonstrates maturity on Rock Steady by forging into new territory and new sounds while still preserving their own identity.
