Wrapping up its run this past weekend, the Stage Blue production of Jesus Christ Superstar at the Isabel Bader Theatre was successful in its attempts to recreate the Andrew Lloyd Webber/Tim Rice musical.
Although the choreography tended to be weak at times, there were some well-done scenes, including that where Jesus is hounded by his followers. While the lyrics of the musical are simple rhymes, often resembling a pop song, the strong voices in the play make it worth listening to.
Danielle Meierhenry’s performance as Judas was top-notch. Both her musical and acting skills shone through, maintaining a solid foundation for the rest of the cast.
Jesus, played by Jason DeNicolais, was equally impressive. With Jesus Christ Superstar, the interrelationship between Jesus and Judas is of utmost importance. How these two actors work together can make or break the performance. Thankfully, DeNicolais and Meierhenry had a chemistry that was as powerful as it was dynamic. Praise also must be given to Ori Dagan, who worked wonders with the role of Caiaphas.
Of course, no musical would be complete without a comic relief number. King Herod, played by Julian DeZotti, with his amusingly dressed dancing girls, did an excellent job of easing the tension-filled atmosphere of the play, giving the audience a chance to recuperate from otherwise serious moments.
Unfortunately, along with choreography issues, the play also suffered from inconsistent costuming. While Pontius Pilate’s costume was historically accurate, Judas’ would have been more appropriate for a 70s disco party. Still, given the limited budget, the costume designer did a fair job.
Technically, the production’s lighting was effective and added the right amount of ambience to the play.
Set production was an arena-style stairway with two columns at either side, and although it was minimalistic, it too was effective in adding to the atmosphere. Scene transitions could have been improved, at times seeming either too continuous or too abrupt, thereby making applauding awkward for the audience.
Finally, the second half of the play was just as strong as the first half, but the ending lacked force. Although the crucifixion of Jesus was moving and arguably the most important event of the play, it was a little too long, and the play’s abrupt ending immediately after was slightly jarring.
Overall, Stage Blue deserves credit for making this production of Jesus Christ Superstar an emotionally charged affair, obviously given 100% by cast and crew.
