From November 30 to December 1, the UC Follies will be at Hart House for a two-night performance of B-Side: A Rock Cabaret. The show is a grand musical experience that will take you back in time with classic rock records you love and lesser-known songs for you to discover and fall in love with.
The Varsity wrote to Jocelyn Kraynyk, the show’s creator, about her inspiration for the show, nostalgia for rock music, and listening to records in the world of online streaming.
TV: So many people listen to music digitally, on Spotify and Apple Music — why did you decide to create a show about records instead?
JK: The simple answer as to why I created a show inspired by records is that I find digital means of listening to music passive. Don’t get me wrong, I am in love with my iPod and I might actually die without my Apple Music, but I think it’s important to acknowledge how easy it is to become complacent about listening. Many a time, I have found myself in a playlist loop where I don’t realize I’m listening to music that I don’t really like or care about. With records, the act of listening becomes so active. You carefully choose what record you want to listen to. You engage with the music in the ceremony of putting the record on and the needle down. If your mind is focused on other things, the record waits for you to reengage at the halfway mark. I think that level of immersion lends itself well to a theatrical endeavour.
TV: Where did you get your inspiration for B-Side?
JK: I was so thrilled when the Follies asked me to create a show and I celebrated by going to my favourite record shop and picking up a heap of new music. When I got home, I put on my new Pat Benatar and rocked around my living room basking in the amazing vocals and bopping tracks. Two things happened while I listened to that record: 1. I found a couple songs that I had never heard before but fell totally and completely in love with, and 2. I heard songs that I forgot that I loved and it felt like coming home. That is how I found the concept for this show — thanks Pat. For me, B-Side is all about celebrating the songs of amazing artists that don’t get the same amount of play as other classic rock, as well as celebrating better known songs that were put on the B-Side of their record. Some of the songs in this show are ones few people will know — but everyone will love — some are songs everyone will know and can sing along to, and some are songs that people will hear, be flooded with memory, and fall in love [with] all over again.
TV: How did you choose what songs to include in the show and why did you choose rock music?
JK: Listening to hundreds of classic rock songs to find the perfect setlist was torture — just kidding, I was in my glory. I love that shit. I ended up deciding to centre this show around songs that explore young love and relationships – the good, the bad, the ugly, the horny. It connects every song and performance and reined me in — if I didn’t have that connecter, the show would be hours long instead of the sleek 55 minutes it is now. B-Side has an unclockable flow and energy. It’s dynamic. It’s energetic. It’s magnetic and it demands to be seen!
As an artist and a consumer, I love the feeling of nostalgia. For me, it serves as escapism and when I perform or listen to music from or reminiscent of the ’60s, ’70s, and ’80s. The flow and intensity of it allows me to let go and live in its palpable energy. That feeling is what I want for my audiences and that is why I gravitate towards rock.
TV: What is a song or performance in the show that stands out to you?
JK: As far as what song or performance stands out, I’m going to give a pageant answer: every single song and performance stands out. When creating this show, we wanted to make sure that every performer got their moment to shine, and shine they do! We have been incredibly fortunate work with this incomparable group of people. Every single one of them owns the stage and I challenge anyone watching not to be warmed to the core by the joy and energy that radiates off of them when they sing. They are a beautiful unit. Hart House is an intimidating space. It is huge and can be daunting for performers — I say this from experience: that stage is scary — but we don’t fear the stage, we dominate that stage. The passion and excitement from our cast fills the theatre from the dressing rooms to the very last row.